Based between Beirut and Berlin, Nour Sokhon’s practice draws on archival methods and the activation of inanimate matter as living narrators, taking the form of sound and music pieces, performances, interactive installations, and moving-image works.

She earned a master’s degree of Design in Sound for the Moving Image from The Glasgow School of Art. She received the Emerging Artist Prize from the Sursock Museum in 2019, for a moving image piece entitled ‘Revisiting: Hold Your Breath’ and the Sound Art grant from HBK in 2020. In 2024, she released her debut album Beirut Birds supported by AFAC.

She has exhibited her artwork internationally and performed in various sound/ music festivals including This Is Not Lebanon (2021), Punkt Festival (2023), Gaudeamus Festival (2023), United in Grief (2024), Vorspiel (2024), the Biennale d’Aix (2024), Salam Music (2025), Mapping Sounds in Exile (2025), Avant Art Festival Berlin (2025), Sonic Acts (2026) and Biennale Rencontres Archipel #Chaos-Monde (2026). Her work has also been shown at institutions such as Spatial Sound Institute, Beirut Art Center, SAVVY Contemporary, Kunstraum Kreuzberg/Bethanien, Kunsthaus Hamburg, Silent Green, Henie Onstad Kunstsenter, GMEM, Frankfurt Lab, Künstlerhaus Mousonturm, Kampnagel Hamburg, neue Gesellschaft für bildende Kunst (nGbK), KW Institute for Contemporary Art and Centre Wallonie-Bruxelles/Paris. “Those Beautiful Days” “ احلى ايام” is her visual art solo show, currently being presented at La Condition Publique until December 2026.